First of all, just to get it out there, that joke was terrible. But the episode was damn fun!
This one was firing on all cylinders, implausible but fun. We got answers, we got XO Slattery as a tactical god, we got confrontations and gunfights, ‘splosions galore, and the tidying up of a number of plot points. Good job, Last Ship, good job.
Plot Summary: Carried over from last week, CAPT Chandler and Tex are brought aboard the Russian cruiser. Tex gets batted around and Tom protests, whereupon he is told that he doesn’t give orders there. Chandler gets taken to Admiral Ruskov’s dining room, where he meets Quincy’s wife and kid. He’s cool with the kid, reassuring her that her daddy loves her, and then playing stone-faced to Ruskov’s threats, sticking to name, rank, and serial number despite a final offer by Ruskov to go into business together, selling the vaccine to the highest bidder. Chandler gets thrown into the brig in the same cell as a beaten Tex, under the watchful eye of one guard armed only with broken english.
Aboard the NATHAN JAMES, XO Slattery answers the HF radio when Ruskov calls. He seems almost shocked into inaction, trying to answer whether or not he will trade Dr. Scott and her research for the Captain and Tex. But he is deep planner nonetheless, using the extended time on the radio to better pinpoint the bearing to the Russian cruiser. Down below, Dr. Scott has made a breakthrough and developed a working vaccine with Patrice’s DNA. While the XO and the tactical staff try to come up with some way of getting the skipper and Tex back, Rachel busts into CIC with the offer of giving herself up. They have the vaccine now, so Quincy and Rios can carry it the rest of the way, while Ruskov will get what he’s asking for and they get their people back. Everyone wins (except one Rachel Scott). XO Slattery is a never say die sort, however (Adam Baldwin RULES!). Rachel is to be a decoy and distraction while they sneak aboard to stage an escape.
She gets boated, and then helo’d onto the cruiser, where they frisk her and remove her life jacket, unaware it has a hidden beacon aboard to guide in the US tactical team. She is taken before Ruskov and she demands to see the Skipper and Tex. As soon as she sees Chandler, she rushes up and gives him a big, open-mouthed kiss, all to Tex’s dismay. Ruskov chuckles and sends the boys back down below, while she takes Rachel to see Typhoid Marty and test the vaccine. She quickly realizes that Marty is an immune carrier and the source of the human gene mod to the virus. He gets weaselly and demands that she share the vaccine’s credit with him. That pisses her off and she brings down Ruskov, who arrives angry at Marty for leading him on so long. Then Ruskov goes full bad-guy and has Rachel vaccinate one of his own men, then exposes him to Marty.
In their cell, Tex is having an existential crisis due to Rachel’s kiss with Chandler, but Tom reveals that she passed an exacto razor blade and a note telling them the assault would begin at 0400. At the designated time, Chandler calls the guard over to let him go to the head, whereupon he and Tex grab the guy, slit his throat, and escape. They go through the ship, knocking off sleepy Russians and gathering weapons. The tactical team has also snuck aboard, and they’ve killed a bunch of engineers and have rigged the non-nuclear half of the steam plant to blow. They hook up with Chandler and Tex, who proceed to go find Rachel. She’s still in the cruiser’s makeshift virology lab, waiting for either her patient to live or die. But the Russians have realized that Chandler and Tex have escaped, so they go for her. She pulls a .45 she had secreted away and kills the officer sent to fetch her, just before the tactical team comes in and rescue her. We finish with a running gun battle, triggered explosions going off all over the ship. Chandler makes it a point to rescue Quincy’s family and they all get off before the Russian missiles explode within their tubes. During the firefight, the ostracized enlisted man from last week proves himself, but gets shot and dies. They all make it back to the ship, fade to black.
The Goods: Ruskov calls Chandler out on his egotastic propensity to go on tactical missions when he should have his men lead. XO Slattery being all crafty and planning out the perfect op to take out the superior Russian cruiser from within (Adam Baldwin RULES!). The kiss, and Tex’s reaction to it, both at the time and later. Ruskov (I hope he survived . . . .). Guns! Explosions! USA, USA!! Quincy getting reunited with his family and the surely awkward conversation that followed immediately after when his ass was placed back in custody. Rachel Scott kickin’ ass, and shooting first, silencer or no silencer. And the bittersweet ending, with our ostracized crewmember proving himself in the end, then getting killed. The lack of any hint of engineering detail (except CONAS) and the COMPLETE lack of any sexy LT 1 & 2 nonsense. This episode was not emotionally deep like episode 6, but it kicked the most ass since episode 2.
The Less Goods: Having a WW-II battleship stand in for a modern Russian battlecruiser. Guys, I get that you need a ship to film on, but did you have to include a tracking shot that CLEARLY includes turrets of triple 16″ guns. Were you aware there is an ACTUAL Russian frigate up in the Fall River, MA naval museum? I realize it is smallish, but you can’t get more accurate than the real thing! Having everyone escape from said battleship while it is CLEARLY still moored to something. The mechanics of the vaccine test, in that I’m pretty sure you can’t be exposed to both the vaccine AND the deadly virus near simultaneously and have a reasonable expectation of immunity. And while I appreciate XO Slattery being more decisive this week than last, I wish he’d been MORE deadly and take-charge. Adam Baldwing HAS the acting chops. Release the BADASS! I don’t hold it against him. It’s the way the character is written and he is portrayed fine, but he could be SO MUCH MORE! Moving on, the Russians have no waterside security, no radar, no lookouts, and can’t shoot worth a damn. How did they get to be a super-power, again? The gunbattle is fun, but WAY too un-realistic. Not enough character interaction in this ep, but that’s okay. This sort of thing is all about the spectacle, and of that, this one has LOADS.
Now, with so many things wrapped up, I’m thinking the last two eps this season have GOT to turn everything topsy-turvy . . . AND I CAN’T WAIT!